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fujiflex crystal archive printingrobotic rideable goat

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font-family: 'Open Sans', sans-serif; } This is my favorite print from my personal collection. Here at Bumblejax we always do our best to provide our customers with as many custom options as possible. All rights reserved. The reason why I chose this print is because it has a nice range of tones and colors from reds, yellows, green to cooler tones. Rather than just print random photos, I've largely stuck with test printing photos that I've printed before so I have a baseline to work from. float:left; I've taken the past year and a half to soak up as much research as I can in addition to visiting art festivals and galleries to see what others are doing these days. .firstSectionCPImage{ padding-bottom:3vh; position: relative; max-width: 650px; Well likely tackle this debate of C prints vs archival pigment inkjet prints in a future article. .fifthSectionLeftText{ That question is more complicated to answer. The print profile adds a bit of contrast so some adjustments might be needed depending on what you're trying to go for in the end product.

font-size:20px; Without a monitor calibrated to same standard as your print lab / printer of choice then you're just going to praying that the print resembles what you see on your own monitor. } position: relative; Please read the sheet Submitting Files for LightJet Level 2 printing [PDF] before sending files for Print Ready Service. There was one Fuji Velvia slide film photo that I had scanned that required 40-something hours of adjustments and more than 100 Ultrachrome test prints on Epson Premium Lustre paper to get it right. The reds in particular are something to take note of. fujiflex .UStext{ This is not something the untrained eye would notice nor would most people unless they were the photographer and had other prints to compare with; or through the Soft Proofing phase in Photoshop. This website uses cookies and third party services. position: relative; padding-bottom: 2vh; width: 100vw; float: right; .CPtext{ float:left; If ordering 10 or more prints for the same file, call us for additional discounts not publish on our web site. .fifthSectionFooterImage{ But aside from that type of setting glossy surfaces simply do not make for a good viewing experience. font-family: 'Open Sans', sans-serif; The Maxima print looks great overall though aside from the extreme gloss. float:left; .toptext{ float: left; Red comes out a bit muddy and more maroon than a vibrant red. This article isn't meant to be a review but more of what my decision-making process is like. When I go to Soft Proof this in the future I'm going to do some luminosity mask work in the sky for print. color: #000000; position: relative; They're buying a personalized creation from an artist.When buying art direct from the artist they're paying for a premium service so as a photographer / artist you owe it to your buyers to play the part. max-width:1250px; .HPtext{ Though I've spent time over the years on making prints both for test and for art buyers, selling prints was not my main focus until 2019 so I hadn't paid much attention to evolving my offering over the years. position: relative; This message is not visible to other website visitors. This Fuji Crystal Archive Pearl print from Bay Photo is unique among this test due to the reflective qualities in the highlights. .flushdeckletext{ I prefer the Fuji Flex prints to this one. For example, the 2030 size would need non-print area (3 of paper on the 20 side). shape-outside: url("https://images.discerningassets.com/image/upload/q_auto:best/c_limit,w_1000/v1586814543/qqllpjj4abv9fnepdbrq.png"); Were an inkjet print lab meaning we use an inkjet printer with archival pigment ink to produce our long-lasting prints. I'm not here to endorse any specific professional print lab but for disclosure I did receive a stack of free test prints and acrylic from Reed Art & Imaging based out of Colorado. So should you buy this as a Fujiflex print? .USInfo{ I say that because as you can see here it is a highly-reflective paper. color: #000000; Every image has a checkbox, located in the upper right corner, as seen below: The presence of this badge signifies that this business has officially registered with the Art Storefronts Organization and has an established track record of selling art. The shadow detail was excellent and so was the saturation. color: #000000; } There is a certain magical glow and luminance from this print that doesn't exist in the other prints. -webkit-shape-outside: url("https://images.discerningassets.com/image/upload/q_auto:best/c_limit,w_1000/v1586814543/qqllpjj4abv9fnepdbrq.png"); .lastImage{ Contact me, we'll make that decision together. } position: relative; It's a very dynamic looking print under the right lighting conditions. In each case the print price reflects the work we put in to make your print look great. } The Canson print on the other hand is a traditional paper print so you can do anything you want with the print. A Complete Buy Guide. float: left; I would argue that Reed's blue tones are more aesthetically pleasing but that is a subjective call. float: left; .headerText{ padding-bottom: 2vh; position: relative; That is not a bad thing as the print looks beautiful but I do have to point that out. For these test prints I chose to print "Lonesome Cypress Tree" from Alameda. max-width: 624px; What I have here is a Fuji Crystal Archive DPII Matte print from WhiteWall, a Fuji Crystal Archive DPII Glossy print with UV laminate from WhiteWall, Fujiflex Super Gloss from Reed Art & Imaging, a Fujiflex Super Gloss with 10 mil glossy Laminate from Reed and a Fuji Crystal Archive Lustre print from Reed. Weighing in at 310 gsm, Platine Fibre is the thickest paper that I tested on. margin: auto; padding-bottom: 1vh; .HPInfo{ As with the other Fuji prints from Reed, the overall color balance is cooler than my master file and prints from the other two print labs. The blacks look great and have at least as much shadow detail as the Fuji Flex prints though it might be hard to tell from looking at this on the web. Again though, the glossy surface is not my thing. In time the LightJet printer was enlarged to expose true silver-based photographic paper using helium, argon and neon lasers. Prints made on Fuji Crystal Archive papers and printed with the LightJet are accepted as fine art and used by the worlds best known photographers. All of the labs are capable of doing great work. Site by, "The Land of the Giants" from Calaveras Big Trees State Park.

padding-bottom:3vh; .Btext{ A cotton platinum watercolor media print, Canson renders some amazing red and yellow tones. float: left; position: relative; width: 100vw;

} Glossy can look good if you have a controlled lighting situation ala. Peter Lik style gallery lighting. } Fuji does indeed ask that we set the neutral greys to a slightly blue-cyan color balance. Taking that printing class was probably the most useful class I've ever taken in my entire life because the prints I've gotten back from professional print labs have almost always been very close to what I expected to receive and met my standard if not exceeded. What really caught my eye however is Lumachrome Acrylic Face Mounts and ROMA framed Fujiflex prints. position: relative; float: left;

All of these test prints were processed exactly the same way with no alterations to the master file aside from sRGB conversion on the WhiteWall and Reed prints. When buying artwork art collectors are not buying a commodity like paper and ink.

margin-left: 4vw; The remaining three sides will need 1 of non-print area (essentially a white 1 border on those three sides and a 3 of white on the one short side). The shadow detail in the trees was pretty lacking however as it suffers from a lack of contrast and strong blacks to hold it together. position: relative; Using a new lab is kind of a big deal if you're selling your work so I highly recommend test printing and evaluating with a critical eye. That was sort of a revelation for me in that prints could be more than just paper, matte and frame. This print didn't knock my socks off though as I found it lacking in contrast particularly in the sky compared to the other test prints. Level 2 / Print Ready Service. I wouldn't hesitate to print this one again on this paper. This was the straight print on Fujiflex with no laminate which is ideal for face mounting on acrylic. Do museums and mainstream art galleries display glossy prints? The LightJet prints the way we see the world, in RGB not CMYK. With an apparent resolution in excess of 4000 dpi, LightJet prints are arguably the sharpest, highest fidelity prints obtainable anywhere, exhibiting the continuous tone look and feel of traditional photographs but without the limitations of traditional optical printing. } float:left; margin-top: 10vh; With all the options available for photographers to print their work how does one go about deciding which papers / surfaces to print on and what presentation style if any? float: left; Rolls of light sensitive photographic paper, 50 inches wide by 162 feet long, are loaded into the LightJet in the dark. font-size: 25px; I'm not sure where to start with this but you know that issue I've had with the reds on Fuji prints? I don't have a preference to be honest. Our White Gloss metal is our most popular metal option. padding-bottom: 1vh; There is a matte option mounted on Aluminum DiBond that I will be testing shortly. My living room and bedroom is currently filled with prints both on the wall and stored away. We're talking about the difference between good and great here. Fujiflex has an extremely glass-like surface with high color saturation and depth. If you are fairly comfortable with what you will get and dont want to go through proofing, need your work back faster or just want to save some money, then our Standard Print Service may well work for you. The FCA Lustre print by Reed Art & Imaging was once again my least favorite print on this round of test prints.

I believe this print might be slightly warmer than the FCA Maxima print but I'm not 100% sure. The resulting films were said to be Digital Originals and were as sharp as and indistinguishable from original slides and negatives. This is arguably the most beautiful print of the bunch. Overall, I really like this print. width: 50vw; Copyright Bumblejax 2022. So the conversion should add a bit of red and yellow to our step wedge to balance out the slight blue-cyan of our linearization.". Generally, no. position: relative; color: #000000; Those same photos would look terrible as a fine art photo print or at the least would have to be completely reworked to look acceptable on paper. This guy was a hobbyist photographer and had a lot of canvas gallery wraps in his home. The Acrylic Prints Pros - Made In USA, Gallery Quality. font-family: 'Open Sans', sans-serif; margin: auto; width: 50%; } .header{ The real key is in knowing how to produce the right type of file for your printer. Exposed paper is then processed in traditional photographic chemistry. Next up here is a Fuji Crystal Archive DPII Matte print by WhiteWall. max-width:1250px; position: relative; I would describe this print as a metallic print. The Fuji Crystal Archive Paper is a chromogenic print (or C print for short) where a LightJet or Lambda printer using LEDs or lasers in conjunction with a silver halide paper and a chemical process emulates a traditional darkroom photograph. The selections you make here can be applied to all of your selected images, which you can then add to your shopping cart -- all at once. max-width:1250px; 3) Minimum order of $200 required an acrylic print about 2416 and above. width: 50%; Images appear almost three-dimensional. float: right; margin-left: 4vw; All Rights Reserved. margin: auto; position: relative; and crisp text. margin: auto; In recent times it seems like metal float mount prints have become all the rage at art festivals and some galleries even. I find the float mounts to cheap looking but when mounted on an edge mount frame they look classier. The challenge with this however is that no print can really come close to capturing the full range of color available in a Pro RGB file. max-width: 1250px; A proof is generated for your approval and the final, layered .psd file as well as the print file can be saved and sent to you on CD. That problem doesn't exist in this Lumachrome print. max-width: 30vw; padding-bottom: 1vh; margin: auto; My overall verdict on this round of test prints is I prefer the Fujiflex with 5 mil UV matte laminate and the Canson Infinity Platine Fibre Rag. Ok with that said here we go! With a renewed focus on revamping my print offering I've been doing a controlled test with different print types from multiple labs. Using a critical test print eye however, I was not impressed with how the highlights appeared to be a bit blown out in the fog and the yellow / green foliage around the fog. position: relative; width: 100vw; Here is the Fujiflex Super Gloss with 5 mil UV Matte Laminate from Reed Art & Imaging. padding:10px 10px 10px 10px; color: #000000; font-family: 'Open Sans', sans-serif; Of all the prints tested here, WhiteWall had some of the most accurate color rendering compared with my master file. .topInfo{ .bordereddeckletext{ I personally think it was a shitty slide film in hindsight but I digress. The WhiteWall print is on the warmer side - as was my print file, while the Reed print has a much deeper / cooler shade of blue. Unlike the polyester base of the Fujiflex, the DPII print is an actual paper print. padding-bottom: 2vh; padding-bottom: 2vh; } I did not like the glossy laminate surface here as it was way too reflective to enjoy the print. position: relative; I had never seen that before and was impressed with the presentation style as it "popped" from the wall. Fujiflex Crystal Archive printing material has outstanding image stability with the margin: auto; padding-bottom:3vh; The LightJet can create prints of any size up to 50 x 120 without tiling and with tiling, create images any size. padding-top:4vh; This was my least favorite print of this particular test. It's not the glossiest surface I've ever seen. margin-top: 10vh; position: relative; Therein lies the rub. Here is the Fujiflex Super Gloss from Reed Art & Imaging. font-family: 'Open Sans', sans-serif; max-width: 90vw; position: relative; This print is held back by the muted red & yellow tones however as this characteristic is shared by all of the Fuji papers I tested on this photo. padding-bottom: 2vh; border: 0px solid #000000; If that goes well I can see myself offering this. top:0px; max-width: 1250px; I found the overall print to be a bit muddy and darker than all of the others. The one common theme I've seen on every Fuji print in this article and in general is that they can't handle the full range of tones in red. } There is a terrific blog post and lots of comments discussing all this which wed highly recommend having a look at. Ok and last but not least we have the Lumachrome HD TruLife Acrylic Face Mount from Nevada Fine Art Printers. max-width: 1250px; For my own tastes, I wouldn't choose to print on this glossy surface because I find most glossy surfaces to be extremely distracting and prevents me from focusing on the actual artwork. From what I've seen offered by other photographers it would appear that glossy is more popular but I don't really understand the fascination with glossy surfaces to be honest. float: right; max-width: 624px; color: #000000; float: right; It is possible that other vendors could be ignoring the manufacturers guidelines and calibrating their papers to a balanced neutral.

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fujiflex crystal archive printing

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