sony fe power zoom

The consistent f/2.8 aperture of the Sony 16-35mm f/2.8 makes it excellent for low light and a wide range of subjects. Quick documentation of the power zoom function of the Sony FE PZ 28-135 f/4 G lens. Chromatic aberration and distortion are well controlled giving you excellent image quality throughout the range. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Sony FE PZ 28-135mm F4 OSS G E-Mount Lens. Sensor Coverage It performs even better than all the other manufacturers’ 24-70mm zoom lens offerings, which says a lot since the competition is fierce. B&H Photo for $598.00. I noticed a bit of slowdown on autofocus in low light scenarios with this lens. Zeiss Loxia 50mm f/2 Planar T* The Zeiss Loxia 50mm f/2 is another beautiful lens, which is crafted … As with all travel-zoom lenses, the Sony FE 24-240mm f/3.5-6.3 OSS is a compromise. In terms of sharpness, this lens performs amazingly well – it really is tack sharp. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extended zoom range of 42-202.5mm when used on an APS-C or S35 camera. Some people notice this lens to be not as sharp, but in real world applications, I’ve found it to be completely adequate. The Sony 16-35mm f/4 was one of the first lenses that I owned when evaluating the Sony Mirrorless Cameras. The value of this lens is simply awesome. It is one of the highest-rated Sony wide angle zoom lenses. Sony announced the 18-105mm ƒ/4 G PZ OSS lens in August of 2013, an E-mount lens featuring a power zoom … I never noticed any issues and it performed very well. They each offer different characteristics that make them suited to one thing or another. Lens flare is one of my favorite things about the Sony 70-200mm f/4. Sony FE PZ 28-135mm F4 OSS G E-Mount Lens, 12 Great Cine Lenses for Serious Video Shooters, New Leaf 3 Year Drops & Spills Extra Protection, Lenses under $3000, New Leaf 5 Year Drops & Spills Extra Protection, Lenses under $3000, G-series optical design ideal for HD and 4K moviemaking, No focus shifting or axial displacement while zooming, Minimized angle of view variation (breathing) while focusing, Constant F4 max aperture maintains exposure / depth of field, Independent Zoom, Focus and Iris rings for superior control, Silent Iris and linear AF drive system for quiet operation, Super Sonic wave motor drive for quiet variable speed zoom, Optical SteadyShot image stabilization for video and stills, Dust and moisture resistant design for maximum durability, Ideal for Full-Frame, APS-C and Super 35 E-mount cameras, Sony FE PZ 28-135mm F4 OSS G E-mount Lens, R1EM Rear Lens Cap for Select Alpha NEX E-Mount Lenses (Black). If you are more of a casual shooter or don’t need the fastest/sharpest zoom lenses available, the f/4 lenses are the obvious choice. All three control rings have been engineered to provide ideal torque for comfortable, responsive operation. I did find that the zoom was tight enough not to drift on its own without feeling stiff, though. Only 1 left in stock. I may be a bit biased, but the Sony 70-200mm f/4 really is one of my favorite lenses ever. Angle of view variations while focusing (breathing) and axial displacement while zooming have been reduced to an absolute minimum and aspherical elements work with advanced multi-coating technology to effectively suppress all types of aberration. The redeeming quality here is the Optical SteadyShot stabilization that allows you to shoot at slower shutter speeds and still get sharp images as long as your subject isn’t moving. The complex optical design means that images are soft at the … I mostly shoot prime lenses but occasionally a zoom is nice to have. It is an awesome lens that comes in a lightweight, compact design at a great price. The Sony E 18-135mm f/3.5-5.6 OSS is a step up from the basic 16-50mm kit zoom. However, with that size/weight comes a lot of performance from the extremely high-quality optics. It may not have a beautiful flare but it was not disruptive and could be easily removed using the right photo editing software in most cases. Sharpness on the Sony 16-35mm f/4 is excellent, especially at the wider focal lengths. Full-frame shooting produces great results when combined with this Sony 28-135mmf/4 camera lens. Autofocus performance on this lens was excellent. Overall, I think this lens is an excellent value for the photographer looking to cover a wide angle focal range. The above lenses are what I think are the best zoom lenses for Sony full frame mirrorless cameras. This Sony FE PZ SELP28135G 28-135mm f/4 G OSS power zoom lens features Optical SteadyShot image stabilization and a SSM (Super Sonic wave Motor) drive system, so … I love having equipment that I can use without thinking. We'd love to get your feedback! Luckily, there are awesome options at multiple price points so you can find the best lens for your needs! Both lenses fit in a pocket. Bottom line – the Sony 24-70mm f/4 is the best budget Sony zoom lens in this article, and despite its small shortcomings, I feel confident to recommend it to most photographers, whether amateur or professional. ... Sony FE 50mm F1.2 GM sample gallery. It’s almost half the price of it’s f/2.8 brother, but still offers great performance! The quantity discount will be reflected in your shopping cart, with the Adorama Edge Credit Card.Learn More, Order now, your card will not be charged until it is ready to ship. I wanted a Power zoom lens for video work similar to the 16-50 PZ OSS or 18-200 PZ OSS on the APSC E-mount system. Coupled with excellent image-stailization and the high ISO performance of Sony mirrorless cameras, f/4 is usually enough to get a clear shot, even in low light. Sonnar® T* FE 35 mm F2.8 ZA (SEL35F28Z), P mode, 1/100 sec., F5, +0.7 EV, ISO 400, Auto white balance. The Sony 24-70mm f/2.8 is the top of the line zoom lens for Sony mirrorless cameras. The focus ring is closer to the camera body and the zoom ring is further away – because I’ve never encountered this on a lens, it really threw me off. Overall, I think this would be a great lens for someone looking to save some money but still wanting great performance from a fast lens. ‘FE’ refers to ‘Full E-Mount’, meaning that these lenses have been designed specifically for … Sony FE-mount power zoom cine lens merges old and new. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. What it sacrifices in low light performance, it makes up for in weight savings. FE 12-24mm f/4 G Ultra-wide-angle Zoom Lens: Capture the greatest spaces with this Sony FE 12-24mm ultra-wide-angle zoom lens, and leave nothing behind as you frame your shot. Weight: 13.1 oz. It has a focus ring, zoom ring, and nothing else. It was definitely one of the heavier lenses I’ve ever used – nearly as big/heavy as the Sony 70-200mm f/4. Although some of the G-Master lenses are heavy/bulky, this lens balances nicely on the A7 series bodies. Another unique feature was the ‘zoom lock’ at 24mm. They’ve got an amazing full lineup of Sony lenses to go along with their feature-packed camera bodies. I would recommend the Sony 16-35mm f/2.8 to anyone who loves to shoot wide angle landscape images and wants the best when it comes to quality/performance. This powered zoom lens is ideal for shooting videos thanks to its host of features that ensure super-quiet focusing and steady zooming. To almost match the performance of the Sony G-Master at less than half the cost is an impressive feat. I really didn’t like this feature but I’m sure you would get comfortable with it over time (especially if this was your main lens). If I were travelling, this would be a great lens to carry because it balances so well with the lightweight Sony mirrorless bodies. The second thing I noticed was the size and weight. The weight of the lens also keeps video stable when using handheld. See more galleries » Latest in-depth reviews. The stabilized zoom lens has 17 elements arranged in 14 groups and has a number of exotic glass types to enhance performance. 6x G Lens power zoom for movies and stills This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. 42 West 18th Street New York, NY 10011 (directions) • 800.223.2500. Sony Carl Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS. September 10, 2014. by Andrew Alexander. Stabilized: No Weight: 550 g (19.4 oz.) Sony offers several lenses with Zeiss optics. Sony lenses come with ‘A’ mounts and ‘E’ mounts. Yes, that makes it the sharpest 24-70mm lens I have ever used. If you plan to shoot during mostly daylight hours and don’t care as much about low light performance, the Sony 24-70mm f/4 is a great lens option. Sony A7III + Sony 70-200mm f/4 | 1/800 f/4 ISO640. When compared with the increase in performance you get, this lens has a justified (yet still high) price. Sony A7III + Tamron 28-75mm f/2.8 | 1/320 f/2.8 ISO 1000. With the consistent aperture of f/2.8 on the Sony 24-70mm f/2.8, you get sharpness on par with a prime lens in a zoom lens package, and excellent build quality including weather sealing. These are designated by E and FE respectively. The Sony FE PZ 28-135mm f/4 G OSS is a full-frame power zoom lens designed primarily for shooting 4K movies, as well as stills. Featuring power-zoom control with SSM (Super Sonic wave Motor) it allows precision and quiet operation with a variable speed and zoom rotation direction reversal capability. I’d love to know what you think of these lenses or if there are others you like better in the comments below. Tamron is really shaking up the market with the Tamron 28-75mm f/2.8. In general, if you want top quality, go with the Sony G-Master lineup, which offers top performance… but the price obviously reflects that. Come visit our New York City store in the Flatiron/Chelsea district. Full Frame (FE) = Sony A1, A7C, A9 II, A9, A7R IV, A7r III, A7S III, A7sII, … Designed to satisfy 4K video productions, the Sony FE PZ 28-135mm f/4 G OSS Lens covers wide-angle to telephoto on full-frame or APS-C E-mount camcorders or still cameras. The Sony 28-135mm F4 Full-frame E-mount Power Zoom Lens has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the alpha7S or a Super 35 format camcorder such as the PXW-FS7. As long as you don’t do a lot of low light work, f/4 is completely adequate. It’s basically a range of top primes at 70mm, 100mm, 135mm and most importantly at 200mm – like the 24-70/2.8 GM I have. Sony a7RII | FE 24-70 F2.8 G Master at 35mm and 70mm | (CLICK TO ENLARGE) BEST BARGAIN: Sigma 24-70mm F2.8 DG DN ‘Art’ FE Lens | Price: $1,099. Tamron 70-180mm f/2.8 Di III VXD Lens. Additionally, it has a focus hold button that can be programmed to Eye AF, making two-handed shooting efficient and a lot of fun. Best Sony Zoom Lens (Telephoto Full Frame & Crop Sensor), Best Zoom Lenses for Sony Full Frame | Conclusion. In addition, the focal length multiplication factor of the crop APS-C sensor format may actually be beneficial for those wanting more ‘reach’ from their telephoto zoom lens. 1446. The autofocus on the Sony 24-70mm f/2.8 was quick and accurate. Typically I don’t give as much credit to non-native lens manufacturers but the Tamron 28-75mm f/2.8 caught my attention because of the impressive list of specs, very competitive price, and legions of raving fans. The Sony 24-70mm f/4 is paired down to just the essentials. This produces a clearer image, one that remains sharp. Sony Zeiss lenses are characterised by high build quality, high manufacturing quality, and serious quality control. One major drawback I noticed of the Tamron is that it has a reversed zoom and focus ring. They have released a few over the years, including: Sony SCL-Z18X140 FZ Mount 14X Power Zoom Lens (2011) Sony FE PZ 28-135mm f/4 G OSS lens (2015) Read our story. The Sony 16-35mm f/4 lens is a great option for someone looking for a wide angle at an affordable price without sacrificing performance. It starts with a constant f/4 circular aperture that maintains exposure throughout the entire zoom range, so you don't have to adjust lighting levels on the fly. In a good telephoto lens, I’m looking for a balance of quality, functionality, performance, durability, and price. It’s a great lens for ‘little-people-big-scene’ type portrait photos. I’ve consistently found this to be true over the last ten years of shooting professionally. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. However, all the A7 series cameras can also shoot in crop sensor mode at a reduced resolution without vignetting. Just be sure you’re attaching it to a great camera for portrait photography, such as these. The other great thing about this lens is the optical performance. Sony Eyes Video with Full-Frame E-Mount Power Zoom Lens. (For reviews of just Sony FE full frame lenses, check this guide.). At just over half the price of its f/2.8 G-Master bi brother, it seems like an excellent balance of performance/price. Except in low light, the autofocus felt fast and accurate. The image quality of this lens is excellent for the price. I never had any issues with focusing, even in very dark rooms. Sony (and third party lens manufactures) make lenses the fit the E-mount in two formats: There are crop sensor (APS-C) lenses and full frame lenses. Compact design and dust and moisture resistant Compact dimensions and reduced weight are an advantage in shooting situations that demand maximum mobility and built-in Optical SteadyShot image stabilization adds to the extraordinary cost/performance of this high performance lens. Photos definitely have that ‘wow’ factor that get them noticed. Recently, they have offered some very interesting options for Sony Mirrorless camera users. However, the benefits of the light/compact design come with the downside of not being the sharpest or fastest lens in this review. Power zoom? Additionally, it has a focus hold button that can be programmed to Eye AF. Ideal for landscapes or cityscapes, the lens is compatible with E-mount cameras and offers corner-to-corner G-lens resolution at any aperture setting. Read on to see what I think are the best Sony zoom lenses available in 2021. It is weather-sealed, durable, and extremely well built. Tamron are really causing photographers to take a closer look at other options, instead of just sticking to native lenses – this is great for the camera lens industry as a whole, introducing some much-needed competitiveness. Bringing you great new articles, posts and fresh content to equip your creativity. Sony seems to have improved the design of this lens when compared with its counterpart the Sony 24-70mm f/4. Sony A7III + Sony 16-35mm f/2.8 | 1/250 f/4 ISO320. Now that we have refined our search to FE mount (full frame) lenses and mostly native Sony lenses, let’s take a look at my favorites. Sony A7III + Sony 24-70mm f/2.8 | 1/250 f/4 ISO100. Right now, the travel kit is the fx3 (it is smaller than the a7s iii because the evf is chopped off (I know you use an EVF)), the pancake collapsible Sony zoom FE 28-60, and the new Sony pancake 24mm G lens f2.8 for wider angle. Also, if this was the first Sony zoom lens you’d ever used, you wouldn’t notice any difference. Size (Diameter x Length): 3.1 x 3.9″ / 78 x 99 mm Filter Diameter: 72mm Minimum Focus Distance: 0.28m (11in). Three independent control rings Independent control rings for zoom, focus and iris (aperture) are provided for the first time in an alpha lens and the focus mode can be switched from auto to manual simply by sliding the focus ring forward so control is maintained at all times. Compact, Light, Sharp, Affordable, Slightly Shorter Focal … Max. This button placement makes a lot of sense since you’ll be using your left hand to cradle the lens for balance – having Eye AF at your finger-tips is much more comfortable than trying to operate it with your right hand, as is normally the case. Lens Mount Sony FE 24-105mm F4 G OSS is compatible with cameras that have Sony E lens mount.Some of the latest released cameras with Sony E lens mount are Sony a1, Sony A7c and Sony A7S III. The Sony E-mount is used on the mirrorless Sony system cameras, and the A-mount is used on models that have a mirror or a translucent mirror. There is nothing else to say. Over the last 5 years, I feel that Sony really hit its stride in terms of lens offerings. Quiet operation. It actually outperformed the Sony G-Master in some cases! Here are the top Sony zoom lens options of the year. While I love the simplicity, bokeh, and sharpness of a prime lens, the flexibility of a good telephoto zoom lens is hard to beat. Usually, detachable zoom lenses are manually twisted to zoom in or out. Many photographers who own Sony APS-C sensor bodies , are willing to invest more in full frame (FE) lenses, in order to maximise the capabilities of the APS-C sensor. Versatile f/2.8 mid-range zoom offers the most bang for the buck. Sony A7III + Sony 16-35mm f/4 | 1/100 f/6.3 ISO200. The 28-75mm focal range may sound rather unconventional, but there’s not a whole lot of difference to the more ‘regular’ 24-70 lenses. Additionally, it has a focus hold button that can be programmed to Eye AF. If you have the budget for this lens, don’t think twice – it really is that good, and a great option for astrophotography too. We've used this lens for years mainly because of its smooth zoom. Impeccable build quality, excellent autofocus and great image quality throughout the zoom range. Best standard zoom: Sony FE 24-70mm f/2.8 GM On full- frame sensors, the standard zoom focal range of 24-70mm is a versatile range for photographers who need wide-angle to short telephoto options in … In this article, I’m going to give my opinion on the best options when choosing a Sony telephoto zoom. SEL35F28Z. It tracks objects very well and also incorporates a manual switch for full or partial autofocus range. Sony FE 24-105mm F4 G OSS is an Auto Focus (AF) Standard Zoom lens with 35mm FF max sensor coverage and it is designed to be used with Sony E mount cameras. Stabilized: No Weight: 862 g (30.4 oz) Size (Diameter x Length): 3.5 x 5.4″ / 88 x 136 mm Filter Diameter: 82mm Minimum Focus Distance: 0.4m (1.25 ft). The Sony 70-200mm f/4 lens feels very lightweight and compact when compared with other 70-200mm models (especially the Sony 70-200mm f/2.8 G-Master). Some lenses have beautiful flare, and others have ugly green/red orbs, but this lens can be used to create some amazing effects – see the example photo below. It has excellent sharpness throughout the range and no major issues with chromatic aberration. Because 16-35mm is one of my most used focal ranges, I felt justified in stepping up to the higher price point of this G-Master lens. As you would expect at this price point, the Sony 24-70mm f/2.8 G-Master was a top performer! This is a superb lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. $799.99. Power Zoom, abbreviated to PZ, refers to the built in lens motor that offers quiet AF action and variable speeds, as well as zoom rotation direction reversal capability. SLRgear Review. Sony A7III + Sony 24-70mm f/4 | 1/1250 f/5.6 ISO1000. Sony 28-135mm FE PZ F4 G OSS Full-Frame E-Mount Power Zoom Lens. Full Frame vs APS-C Lenses. Because of the top quality performance of the Sony 24-70mm f/2.8, the price becomes more tolerable. When it's fully open, it has a circular aperture, creating rounded defocused points of light for smooth bokeh.This Sony 28-135mm f/4 camera lens alsohas an ultra-quiet wave motor so that the noise of zooming doesn't appear on thevideo soundtrack. All the Sony zoom lenses tested in this article, alongside the Sony a7III. They also function very well on Sony APS-C sensor cameras, such as the Sony a6000-series. The zoom & focus rings feel smooth and precise. I think the main decision point for this versus the larger f/2.8 G-master is low light performance. Overall, this a great buy for someone looking to save some money and weight on the 70-200mm focal length. The Sony FE 24-105mm F4 G OSS is a compact and a practical zoom for a wide range of subjects and situations faced by both photographers and videographers. It felt like a “built to last” lens for working professionals. In addition, the internal focusing mechanism ensures the end of the camera doesn't rotate, which is ideal when you're using a polarizing filter. It is sharp, fast, and super solid! As a side note, E lenses will mount on full frame cameras but they will cause a vignette around the edges of the frame because they are specifically designed to work best with smaller APS-C sensors. Sonnar® T* FE 35 mm F2.8 ZA (SEL35F28Z), P mode, 1/100 sec., F5, +0.7 EV, ISO 400, Auto white balance. I never had any issues tracking moving subjects or quickly getting tack sharp images. This is the lens in my bag that gets used the most. This was a handy feature that keeps your lens from extending out, a problem that sometimes occurs when carrying a lens face down on a strap. Size (Diameter x Length): 2.9 x 4.6″ / 73 x 118 mm Filter Diameter: 67mm Minimum Focus Distance: 0.19m (7.5 in). The Sony FE 28-135mm lens offers optical steadyshot image stabilisation, a nine-blade rounded diaphragm and a 40-95cm minimum focussing distance. What does Sony Fe mean? Quiet operation An SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. The Tamron 28-75mm f/2.8 is a great option if you need a fast lens, don’t want to sacrifice on sharpness, and don’t want to spend all your money on one lens! The autofocus on this lens was fast and accurate. Focal length: 18-105 mm. It seems like a great value when you compare it with having a series of prime lenses all in one… especially with the convenience of never having to change lenses. (80) This is an E-mount lens with a servo zoom. The Sony 18-252mm FZ, Sony 18-200mm E mount and the 28-135mm FE. Highly recommended! If you love getting a wide perspective on a scene, the Sony 16-35mm f/2.8 is an awesome lens. Lightweight and compact. Tamron has been competing with native lens manufacturers for years. Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. Other features on the 70-200mm f/4 include two modes for optical image stabilization and an auto/manual focus switch. What we like: Super sharp, lightweight, … Copyright Adorama Camera, Inc. All rights reserved. The Sony 24-70mm f/2.8 is similar in size to what you get from the Canon and Nikon equivalent, but with an increase in sharpness and performance. (80) In comparison, this lens is less than half the price of the Sony 24-70mm f/2.8 G-Master! Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability. Because 70-200mm is one of my favorite focal ranges, I’ve always had a lens of this style. Sony FE 50mm F1.2 GM sample gallery (DPReview TV) NiSi 15mm F4 'Sunstar' sample gallery. Quiet operation The world's first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. 4.0. Similar to the Sony 24-70mm f/4, this lens features a minimalist design with only a focus ring and a zoom ring. Chromatic aberration and distortion are manageable but not as well controlled as on the Sony 16-35mm f/2.8 G-Master… but this is to be expected for the huge cost saving you make. This keeps the design simple and featherweight. Make Offer - Sony FE PZ 28-135mm f/4 G OSS Lens SELP28135G Lens - Power Zoom $2500 Sony 70-200mm f/2.8 G SSM Lens SAL EX+ BONUS LA-EA3 Adapter FE Alpha A7 A7R II E $1,271.11 Ideal for shooting in available light … Sony 85mm f/1.8 ($547) Category: Portrait. Through the years, there has been some confusion about which lenses work with the Full Frame A7 series of Sony Mirrorless cameras. It’s almost always mounted on my camera and I think it’s one of the best lenses in this article. The products in this post may contain affiliate links. You can still use them on APS-C sensor cameras, but there’ll be a multiplication factor equivalent to 1.5. As for the brands of the lenses, with one exception, I have limited this article to native Sony lenses. My copy of the Sony FE 70-200 f2.8 GM is the best zoom in this range ever experienced (compared to the Minolta and Sony A-mount versions). It is a massive step up from former Sony powered E-mount zoom lenses like the Sony E PZ 18-200mm f/3.5-6.3 OSS and the FZ mount Sony SCL-Z18X140 FZ Mount 14X Power Zoom lens which is now discontinued. Sonnar® T* FE 35 mm F2.8 ZA (SEL35F28Z), P mode, 1/100 sec., F5, +0.7 EV, ISO 400, Auto white balance. This 6x zoom lens supports a constant maximum aperture of f/4 throughout the zoom range, a powered zoom system with two separate controls, internal focussing and zoom and optical stabilisation. All other features have been stripped away leaving a clean/simple yet high-performance lens. Despite being half the price, it still performs surprisingly well! If you’re new to the system, here is a quick breakdown of how things work. Notify me when in stock. The 16-35mm f/2.8 has excellent autofocus. My advice is coming from the background of seeing lenses as tools.

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